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Music Publishing in the US Industry Market Research Report from IBISWorld has Been Updated

Music Publishing in the US Industry Market Research Report from IBISWorld has Been Updated

Music publishers fared well during the recession, but the rise of digitally distributed music is forcing many operators to evolve: Facing rising competitive pressure, the music industries are becoming more flexible, adapting business models in order to meet consumers' rapidly changing needs. For these reasons, industry research firm IBISWorld has updated a report on the Music Publishing industry in its growing industry report collection.

The industy’s success will hinge on its ability to adapt to changing music comsumption

Los Angeles, CA (PRWEB) July 14, 2013

The Music Publishing industry is in the midst of an important transition. Falling physical album sales during the past five years have forced publishers to seek out new revenue sources and become less dependent on their traditional licensing platform. “To meet the changing needs of the consumer, music publishers are continuously cultivating licensing agreements with newer revenue streams like mobile outlets, digital streaming services and wireless music subscription services,” according to IBISWorld industry analyst James Crompton. This transition has buoyed the industry in recent years, even facilitating a 7.4% jump in revenue in 2012. Adapting to these new models has helped mitigate the losses brought about by decreased consumer spending and lackluster album performances during the recession. Nevertheless, the effect of declining physical album sales and generally subdued consumer demand for music is still reverberating throughout the industry, resulting in an overall revenue decline of about 3.8% per year on average to about $4.2 billion in the five years to 2013. IBISWorld expects Music Publishing industry revenue to grow a mere 0.3% in 2013.

The shift toward digital platforms has helped operators in the Music Publishing industry unearth some new revenue streams, but the future performance of these mediums for publishers hinges on the ability to overcome some obstacles. For example, the widespread availability of music online, particularly for advertisers and other broadcasters, has made selling a song tougher than ever. Additionally, the internet's accessibility has made it a viable vehicle for an artist to manage, distribute and promote his or her own songs and albums. “Artists are becoming increasingly reluctant to rely on a major labels and their publishing to oversee management of their intellectual property,” says Crompton. As a result, major companies in the industry, such as Sony Corportation, Vivendi and the Warner Music Group, have see revenue from their publishing segments fluctuate over the past five years. These three major players will generate over a third of industry revenue in 2013, indicating a moderate level of market share concentration for this industry. Mergers and acquisitions, as well as increasing opportunities for independent artists to publish and distribute their music without publishers, have made concentration volatile in this industry, however, as major entities attempt to mitigate a declining market by acquiring smaller, profitable competitors.

Even with some expected challenges, the future remains bright for the Music Publishing industry. Over the five years to 2018, revenue is expected to grow. The digitization of music availability will continue to aid the industry's growth. In addition, higher government oversight activity on preventing online music piracy will benefit publishers in the long run. This control will ensure music publishers capture licensing royalties that are eliminated through peer-to-peer file sharing and piracy. Additionally, with greater oversight and more media outlets, licensing a song in more ways will help bring profit margins up.

For more information, visit IBISWorld’s [INSERT INDUSTRY NAME] in the US industry report page.

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IBISWorld industry Report Key Topics

Music publishers work for musicians, songwriters and composers. They are responsible for licensing the intellectual property of their clients and ensuring that royalties are collected. Royalties are earned in various ways, including each time a song is downloaded on iTunes, sold on an album, reproduced in a live concert or played on the radio, a television show, a movie or through other media outlets.

Industry Performance 
Executive Summary 
Key External Drivers 
Current Performance 
Industry Outlook 
Industry Life Cycle 
Products & Markets 
Supply Chain 
Products & Services 
Major Markets 
Globalization & Trade 
Business Locations 
Competitive Landscape 
Market Share Concentration 
Key Success Factors 
Cost Structure Benchmarks 
Barriers to Entry 
Major Companies 
Operating Conditions 
Capital Intensity 
Key Statistics 
Industry Data 
Annual Change 
Key Ratios

About IBISWorld Inc. 
Recognized as the nation’s most trusted independent source of industry and market research, IBISWorld offers a comprehensive database of unique information and analysis on every US industry. With an extensive online portfolio, valued for its depth and scope, the company equips clients with the insight necessary to make better business decisions. Headquartered in Los Angeles, IBISWorld serves a range of business, professional service and government organizations through more than 10 locations worldwide. For more information, visithttp://www.ibisworld.com or call 1-800-330-3772.

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